Past

Past

Theater 22 Announces-The Show Must Go On!!!!

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Theater 22 is Still Entertaining Us !!!!!!!!!!!!!!!!!!!!!!!!!

As you know, this year Theatre22 took the summer and fall off to adapt to the changes in our local economy, to work on our long-term strategic plans, and essentially take the time needed to program thoughtfully and consciously with our community driven resources.

Recently, we have watched a handful of our sister companies close their doors or lose their space which has brought longevity to the forefront of our minds. Taking a break to assess was a wise choice. Now we have 2019 lined-up and are feeling very good about choices we are making. We are almost ready to share our next season with you.

Past

Resolutions-Live Radio Show to Usher in the New Year

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“Like a vegan in a kale trough”*

Is how I would describe the enthusiasm with which I “consumed” the latest Sandbox Radio production, Resolutions. * A line from the show.

After having the sheer pleasure of attending Sandbox Radio’s holiday live radio show, at the ACT theatre, I decided that my New Year’s resolution would be to declare Sandbox Radio a Seattle “City Treasure,” seek funding, so that it can produce weekly radio shows.

Past

Sugar Plum Gary- A Six-Footer in Red Feet Pajamas

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The Best Christmas Miracle is Just Waking Up!

On a very stormy night, when the winds were blowing, when the rain was pelting down and branches were scraping not just the roof of my car but even the hood, I had the pleasure to participate in a heart-warming but irreverent “participantry” hosted by Sugar Plum Gary aka Emmett Montgomery, in the small intimate space at 18th and Union. It was one hour of sheer delight, as Sugar Plum Gary dressed in a bright red onesie answered questions from the audience about Santa Claus and Christmas.

Past

‘Puss in Boots’ Panto Play by Fremont Players

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It is rare that a show takes to heart the saying that a performance is incomplete without its audience. In Panto, it’s gospel. You might say “No, it isn’t!” But I answer, “Oh, yes it is!”

The call and response in the first paragraph shows one of the ways the audience joins a panto show as one of the players. At the Fremont Players opening of Puss in Boots, much of the audience, adult and child, came ready and knew what to expect. In England, over the Christmas holiday season you have your pick of dozens of panto productions in towns and cities. Here in Seattle your choice is easy—Puss in Boots.

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