History is Retold in The Great Inconvenience
Orange clouds and a blue sky hung as the backdrop to an empty stage in the Annex Theater on Saturday […]
Orange clouds and a blue sky hung as the backdrop to an empty stage in the Annex Theater on Saturday […]
It has been said that comedy is simply a funny way of being serious. And no one takes themselves as
Sweet Land rode a most unique path toward becoming a full fledged musical. “A Gravestone Made of Wheat” a short story written by Will Weaver, appeared in a 1989 Minneapolis Star Tribune Sunday magazine. In 2005, Ali Selim went on to write and direct an indie movie based on the story and re-titled it Sweet Land. Last year, playwrights Perrin Post and Laurie Flanigan Hegge with the aid of composer Dina Maccabee, tinkered with the premise a bit but held on to the primary characters of the story and transformed the work into a musical. Tap Root is now staging the show’s successful West Coast premiere. The focus of the play is on Olaf Torvik, a hard working Norwegian farmer living in rural Minnesota and Inge Altenberg, a German woman who in 1920 has sailed across the sea from Norway to marry the man she has never met. The current concerns about the acceptance of immigrants into our country naturally resonate throughout the evening, but the natural beauty of this unabashedly romantic love story is Sweet Land’s most important gift to its audiences.
Last weekend, GreenStage’s Seattle Outdoor Theater Festival light-up Volunteer Park with a great amount of vibrancy. This festival featured performances
The sun beat relentlessly down on Volunteer Park yesterday, with no mind to the complexion of fair-skinned reviewers. A tragedy
The enthusiastically directed and energetically performed When You Wish upon a Pizza, produced by the 14/48 Projects and directed by
Shakespeare’s bawdy Merry Wives of Windsor has been revitalized by Wooden O in their ambitious adaptation of the classic comedy.
A tip for those who attend Last Leaf’s Twelfth Night: sit close to the stage. Taking up the amphitheater at
Three scenes and 60 minutes later, Freehold Theatre’s take on select scenes from The Winter’s Tale, directed by Robin Lynn
GreenStage, one of the longest running Shakespeare companies in Seattle, opened its summer season with a robust, straightforward adaptation of