Superior Donuts–Seattle Public Theater Gets It Right
The Seattle Public Theater and director Russ Banham have assembled a wonderfully talented cast for the show that is serving as their season opener; they should be very proud of their work.
The Seattle Public Theater and director Russ Banham have assembled a wonderfully talented cast for the show that is serving as their season opener; they should be very proud of their work.
Seattle Music Theatre’s Legally Blonde – The Musical may be sweet and airy, but it has enough charm to make for a pleasant late summer evening at the theatre.
Director Rosa Joshi and her upstart crow collective have successfully brought a compelling production of Titus Andronicus to Capitol Hill’s Lee Center for the Arts.
This summer the Northwest witnessed competing Romeo and Juliets as both the Intiman Theatre Festival and the Oregon Shakespeare Festival
Truman to Nixon
Driving Miss Daisy, originally a Pulitzer Prize winning stage-play by Alfred Uhry, recounts the 25-year relationship ( from 1948-1973) between two outsiders in the South, specifically Atlanta. Boolie, the son of Miss Daisy, or Mrs. Werthan, a wealthy, but frugal, Jewish widow living inAtlanta, insists on hiring a chauffeur for her. Hoke is an an amiable, astute African American widower with young grandchildren. But the decision to hire Hoke is over Miss Daisy’s metaphorical dead body.