Past

Pass Over: Can Young Black Men Escape the Block?

It’s traumatizing being a brother on the block. Playwright Antoinette Nwandu and Director Tim Bond skillfully blur this into a block more like a cell block in prison than a city block one passes through between home and anywhere else one wants to go. Our protagonists in this show at ACT: Moses played by Treavor Lovelle, and Kitch, played by Preston Butler III, are prisoners on this block, kept there by their lack of means to get free.

Past

PREVIEW Booger Red-Growing up a Preacher’s Kid

Southern storyteller and solo performer Jim Loucks
brings Booger Red to Theatre Off Jackson

Solo performer and playwright Jim Loucks brings his Southern storytelling style to Theatre Off Jackson with his one-man show Booger Red June 27-29, 2019 (Theatre Off Jackson, 409 7th Ave S., Seattle, WA 98104). Booger Red is directed by Lisa Chess.

Past

Tiny Beautiful Things Dazzles at Seattle Rep

In her program notes, director Courtney Sale bemoans the arduous task she is given of staging Tiny Beautiful Things. In an imagined letter to the author Cheryl Strayed, Sale writes, “I am a bit terrified and a little angry you aren’t a play like I know a play.” Her concern is well founded: how in the world do you turn the give and take of Strayed’s advice column into a coherent stage production? Turns out Sale needn’t have worried. Playwright Nia Vardalos has done a marvelous job of adapting Strayed’s 2012 book into an effective stage piece. With the aid of a topnotch cast, the Seattle Rep’s Tiny Beautiful Things is a one-act play filled with moments of hilarity as well as heart tugging drama. Its hundred minutes fly by in a wonderfully entertaining night of theater.

Past

Spring Awakening-The Musical

“They stood perplexed in top hats, as if round the carcass of a vulture. Bewildered crows.”

Berthold Brecht about Franz Wedekind’s funeral

The musical version of a once highly controversial play, Spring Awakening, by Franz Wedekind, opened at Garfield High School’s Quincy Jones Performing Arts Center this week. Although the musical version, with music by Duncan Sheik and lyrics by Steven Sater. won numerous Tony awards on Broadway, in my opinion, it was the sort of play that should never be adapted into a musical.

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