Past

Oh Seattle!

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Laughter Unlimited at the Schmee

One sign of mental health for both individuals and societies is the ability to laugh at themselves. It shows a healthy acceptance of one’s flaws and strengths as well as a healthy acceptance of reality. In Seattle, it helps all of us deal with the smugness, the Republican driven city council agenda disguised as bleeding heart liberalism, enlightened diet of the month, wacked-out theories of child-rearing, alternative this, alternative that and all the other agendas floating around Seattle.

Past

The 14/48 Festival—Fastest Festival in the West

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Launched in 1997, the 14/48 Festival is the brainchild of Michael Neff and Jodi-Paul Wooster. It invites talented theater folks to two weekends of high risk, intensely collaborative yet ephemeral theater-making. 14/48 participants mix, mingle, and network. And all of Seattle theater is the better for it.

14/48 plays with Chance, Choice, and Performance.

Past

Dog of the South

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Dog of the South, Judd Parkin’s adaptation of Charles Portis’ 1979 novel, opened at the Center Theater on February 14th. This comedic play centers around military-history-buff-turned-college-student Raymond Midge (Christopher Morson), whose wife, Norma (Shannon Loys), has just run off with his nemesis, Guy Dupree (Joshua C. Williamson) – and his blue Ford Torino.

Past

Matt & Ben

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Matt & Ben opened the 6th season for Stageright on Friday February 13. With the classic guy’s guys being played

Past

Principal Principle Staged Reading Gets an A

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Is our public educational system grinding itself into the ground?

This is just one of the questions Joe Zarrow explores in his 2014 play, Principal Principle. Of course, there are many more, all clamoring, all representative of some point of view in our pluralistic culture.

Past

Natural

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Natural, written by Marcus Gorman, directed by Jen Moon, opened Tuesday February 3 at the Annex Theatre. It is a

Past

Humble Boy

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Humble Boy opened Friday January 30th, at the Bathhouse Theater. The comedic play by Charlotte Jones about a son, black

Past

Zapoi

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Plus ça change, plus c’est la même chose.

The famous quote by Frenchman Jean-Baptist Karr, which translates as “the more it changes the more it stays the same”, could have been the subtitle of Zapoi, Quinn Armstrong’s interesting original script, which opened on Friday, January 30 at the Annex Theater.

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