The Edge of Our Bodies
Adam Rapp’s The Edge of our Bodies, directed by Devin Bannon, is a curious one-woman story about a teenage girl’s […]
Adam Rapp’s The Edge of our Bodies, directed by Devin Bannon, is a curious one-woman story about a teenage girl’s […]
Well, who doesn’t love The Importance of Being Earnest? Seattle Shakespeare Company has brought Wilde’s fabulously farcical festival of fop
“It’s… actually really good.” – Me Jerry Springer: the Opera is a real opera, you guys! With opera singers and
Larry Kramer’s The Normal Heart is a play set in New York City in the early to mid 1980’s, through
Don we now our what apparel? Oh, yeah! Brought to us by DeLouRue Presents, Homo for the Holidays is back
Sir Arthur Conan Doyle’s The Hound of the Baskervilles was adapted for the stage by David Pichette and R. Hamilton
If John Waters did shadow puppetry… with a sentimental wink. Animal Cruelty is a noir adventure told in the lamentably
Think Spring Awakening set in the digital age, with a tinge of High School Musical ensemble pop, and with the ending of a horror story.
Co-presented by Balagan Theater and Seattle Theater Group and directed by Louis Hobson, CARRIE the Musical is not the starkly eroticized thriller of its literary and cinematic namesakes, but it is tons of fun. With ensemble numbers like “The World According to Chris,” about how important it is in adolescence to hurt others before they hurt you, CARRIE makes impeccable use of teenage-angst to tell a lively—if a little hokey—story of tragic almost-happiness.