OSF 2013 SEASON HIGHLIGHTED BY SPECTACULAR WORLD PREMIERES AND GREAT AMERICAN CLASSICS
The Oregon Shakespeare Festival’s 2013 Season continues through November 3rd, and though one may be drawn to the beautiful town […]
The Oregon Shakespeare Festival’s 2013 Season continues through November 3rd, and though one may be drawn to the beautiful town […]
Les Miserables is a big, big show. It requires multiple settings, an ample orchestra, and a whole lot of powerful voices. Here’s to the Balagan for taking on this daunting musical theatre icon; the local crew has succeeded on many levels. It is quite a treat to see such a major production in the smallish confines of the Erickson Theater, something like catching The Rolling Stones at a local pub.
After 21 years at their Summit Ave location on Capitol Hill, Theater Schmeater is relocating. They’re leaving their
In the late 1930s Thornton Wilder wrote Our Town as a reaction to the popular, “devitialized” theatre of his time.
“The Realm of Whispering Ghosts,” directed by Arne Zaslove with a script created by Seattle writer K.C. Brown, is an
Coupla white dudes sitting around in a lifeboat.
The Raft, by Ben Eisner, opened at Theatre 4 in the Center House of Seattle Center on Friday night. As its name suggests, the play takes place on a raft-actually a life-boat, after a ship-wreck, where two best friends from high school try their best to survive, come to terms with death and the repressed sexual undertow of their relationship.
A Dada piece of Historical Importance.
Irrational Robot Bureau presented The Gas Heart by Tristan Tzara, one of the founders of the Dada movement. After World War I, he was strongly advised by the Bucharest police to get out of town, so he moved to Paris and switched from writing in his native Romanian to writing in French. Presented in English, The Gas Heart was translated from the French by the director, Adrian D. Cameron.
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Sound Theatre Company, which has produced some excellent productions of excellent musicals has somehow managed to produce an excellent production of a very bad musical. The Wild Party had a virtuoso cast, choreography, musicians, set design and costuming but very little else, especially comic relief.
Precious little is a play on perception. A handful of women fall victim to each other’s analytical gaze in an
With the cobbled square of Occidental Park as their backdrop, the performers of Backyard Bard relayed the story of Viola