Pericles, Prince of Tyre Triumphs at Shakespeare in the Park
The Greenstage Shakespeare in the Park production of Pericles, Prince of Tyre began its summer run last week. This Shakespeare play—inspired by […]
The Greenstage Shakespeare in the Park production of Pericles, Prince of Tyre began its summer run last week. This Shakespeare play—inspired by […]
Equivocation: the use of ambiguous language to conceal the truth or to avoid committing oneself Equivocation directed by Pug Bujeaud
Pavlina Morris takes us on an adapted Shakespearian journey of whimsical romance and rivalry in The Changing Scene’s production of A Midsummer Night’s Dream. In Shakespeare’s time we would have seen an all male cast, as women were not allowed on stage in 1595. As a result The Changing Scene’s decision to gender bend several roles is all the more enjoyable, and provides so much for the eclectic cast to work with. Everything about the intimate space of Dukesbay Theater complimented the elegant performance. This deep breath of fresh air is a much needed escape from Fall’s frigid arrival.
Shakespeare’ As You Like It has received mixed reviews throughout its history by many critics. Nevertheless, the play remains as
Henry IV Part 2, one of Shakespeare’s history plays features one of the bard’s most brilliant comic characters, Falstaff. Prepared for Falstaff’s relentless pursuit of revelry and propensity for deception by this play’s precursor, (Henry IV part 1), audiences won’t be disappointed.
“The way it ought to be.” It’s an expression used for everything from baseball without the abominable Designated Hitter, to
Seattle Shakespeare’s final show of their 2019 indoor season, “As You Like It,” opened at Center Theater last Friday to
People come to community theatre shows, Shakespeare and otherwise, for any number of reasons. Some folks attend because they support
The ACT Theater has brought Romeo and Juliet to invigorating life in a deaf-accessible interpretation. The play, directed by John Langs, is
William Shakespeare needed to eat. While his tragedies and dramas were his favorite (or, favourite, if you will) plays to