Expand Upon: Incarceration Review
Expand Upon: Incarceration was the newest edition of Mirror Stage’s Expand Upon staged reading series. This events included two plays […]
Expand Upon: Incarceration was the newest edition of Mirror Stage’s Expand Upon staged reading series. This events included two plays […]
You want to know what the soul is like
This one’s in shreds. José Rivera
Written by Oscar nominated José Rivera, produced by Seattle’s Latino Theatre Projects, Brainpeople, an extremely interesting play, opened this weekend at Theatre off Jackson, complete with exceptional production values and a cast to match.
All Her Earthly Days (And Other American Tales), written and performed by Bret Fetzer filled 18th and Union’s small stage
Modern Storytelling
Two delightful Storytelling shows are running this weekend at 18th and Union, Why the Moon Hides his Face and All Her Earthly Days (and other American Fairy Tales) both by Bret Fetzer’s The Moonshine Revival Tent crew, which is a unique fusion of storytelling and a cappella choral singing. Written by the eloquent Bret Fetzer, his fairy tales take place in a world half-Appalachian, half-Dust-Bowl, where magic springs from coal mines and cigarettes, where there is always a morality, wit, superb writing, delightful singing and an excellent performance from Bret and singer Sari Breznau, Mike Gilson, Christine Longé and Jillian Vashro
October is now upon us and with it comes not just the rain but Halloween season. The Can Can Caberet’s
The Diabolical Elixir
Thanks to Garrison Keiller and the downloadable internet, radio shows and radio plays i.e plays written specifically for radio, have had a revival. N.B. Competition with television made radios shows and plays dinosaurs in the U.S. in the ‘50s and ‘60s. In Seattle, there is not only Sandbox Productions, which has quarterly productions, but also Madcap Melodrama. On Tuesday, September 23, Madcap performed a live original radio play The Diabolical Elixir, a spoof of 19th Century melodrama, with an outstanding cast and exquisite sound effects
After one of the driest summers on record, Albatross Theatre Lab’s inaugural production, Three Days of Rain by Richard Greenberg,
You came to this page to read a review of The Complete Works of William Shakespeare (Abridged), and so you
Erst kommt das Fressen,
Dann kommt die Moral
(First ya gotta have a full belly,
Then morality follows.) Bertholdt Brecht
Bertolt Brecht’s Der gute Mensch von Sezuan, (imperfectly translated as The Good Woman of Szechuan, instead of the Good Person or more literally the Good Human Being ) opened at ACT Lab this weekend. It poses the great moral question of all time: “Is it possible for a morally good person to survive in a society ruled by egotism, corruption, exploitation and greed.” The answer Brecht, who died in 1956, would have given would be “not under Capitalism.” In 2018, knowing about the corruption of various Capitalist, Communist and Religious regimes, it seems there is no answer.
Skeleton Crew, the latest in Dominique Morisseau’s 2016 entry in her Detroit Cycle, is a natural character-focused piece, well-adapted by