She Loves Me: A Charming Musical Filled With Talent
In a perfume shop in Budapest, there’s more than just floral fragrances floating through the air. As affairs, divorce, and […]
In a perfume shop in Budapest, there’s more than just floral fragrances floating through the air. As affairs, divorce, and […]
Directed by Teresa Thurman, one of Seattle’s most eminent theatres, Sound Theatre Company, has opened Cost of Living, a play with great relevancy to our current epidemic of isolation and loneliness. Taking place in New York City, the title not only refers to what it costs in dollars and cents to live in Manhattan and its boroughs, but also the emotional costs of simply living.
A Truly American Opera
Like Lowbrow Opera Collective, Seattle Opera is de-museumifying opera and producing some interesting chamber opera with living, breathing, in the flesh composers and librettists whose subjects are not 18th century Viennese noblemen (much as I like those operas) but about truly American experiences such as immigration. A chamber opera, Bound, which opened this weekend in the intimate space at Tagney-Jones Hall, was just such an opera.
Time to go back to those remote fiction forums we all loved
Human bodies are self-generation cell machines that can produce an entirely new collection of cells every seven years. Some cells age and die in a few months, and others take a few years, but as that happens, new cells are being generated to keep the body functioning. This is what Nils desperately clings to because, when cells die, trauma should die with them, right? Too bad his ex-girlfriend just passed, and he’s forced back into a rich online scene that is far from healthy.
Nothing is more satisfying than stories of revenge!
At 18th and Union, Pacific Play Company will present a playwrights festival as an appetizing selection of hilarious and thought-provoking short plays and monologues based on the sizzling theme of revenge. Eight actors and nine playwrights will offer a fast-paced, suspenseful evening one will not soon forget!

Hope is a Good thing, maybe the Best Thing and No Good Thing ever Dies.
Like the film Schindler’s List, Tacoma Little Theatre’s production of The Shawshank Redemption portrayed humanity at its worst and at its best. Also, I had the same feeling upon leaving TLT, as I did upon viewing Schindler’s List; that I had gone through a profound, emotional and morally uplifting experience. On a less personal level, the production may not have had Steven Spielberg nor Hollywood big-bucks, but its quality was on a par with anything I have ever seen on Broadway or the West End. It was a tribute to director Blake R. York and Tacoma Little Theatre.
Hello Dolly…Hello Laughter!!
Now that the pandemic is over, it most definitely is time to laugh, and the Village Theatre’s excellent production of Hello Dolly, provides just such an opportunity. From start to finish, this production, expertly directed by Timothy McCuen Piggee, was sheer entertainment from opening number to the final curtain call.
More than Friends-A triptych on Queer Love through the Ages. Although I generally like traditional grand operas, as long as
Music of Remembrance delves into the depths of memory and trauma with a heart-rending and touching set of performances
Another Sunrise and For a Look or a Touch was a Jake Heggie and Gene Scheer double bill put on by Music of Remembrance, While only showing in Seattle for one day, it is playing again in San Francisco on May 24th and Chicago on May 27th and 28th.
Jeeves Takes A Bow delivers delightful deliberations between friends
Jeeves Takes A Bow is being put on by the Taproot Theatre Company. Adapted for the stage by Margaret Roether from the “Jeeves and Wooster” stories by PG Wodehouse, this hilarious performance is directed by Scott Nolte.