SEATTLE SHAKESPEARE SHAKES UP SUEÑOS Y HAMLET CREATING ROUGH MAGIC INDEED
Please don’t assume that by immersing yourself in the five-episode podcast of Meme Garcia’s house of sueños that you are […]
Please don’t assume that by immersing yourself in the five-episode podcast of Meme Garcia’s house of sueños that you are […]
As Artistic Director Bill Rauch enters his second decade of leadership, and the Oregon Shakespeare Festival (OSF) its eighty-second season
In the confident and virtuosic hands of leading ladies Sarah Rudinoff and Barbara Dirickson, Lisa Kron’s Well, a “solo play
Though Terrance McNally 2013 play is titled Mothers and Sons, a better title would be “Andre’s Mother Returns.” McNally is
Seattle Rep Goes All the Way
Given the red, white and blue bunting splashing the lobby of the Seattle Rep on opening night, and the advertising blanketing the city, it’s as though the Rep is nominating Lyndon Baines Johnson for president in 2016. But their current co-production of Pulitzer-prize-winning playwright Robert Schenkkan’s epic double feature of LBJ’s “accidental presidency,” All the Way, running in repertory with its sequel The Great Society, is no political campaign.
The 5th Avenue Theatre last produced the beloved musical adaptation of Charles Dickens’ novel Oliver Twist twenty-three seasons ago. Given
Seattle-based writer Elizabeth Heffron knows how to wield a metaphor. In the Seattle Rep’s premiere of her fluid and largely
The Oregon Shakespeare Festival’s 2013 Season continues through November 3rd, and though one may be drawn to the beautiful town
Director Valerie Curtis-Newton and the Lorraine Hansberry project have done Seattle audiences the great service of bringing Alice Childress’ Trouble
Pilot Allison Narver has put together a stellar crew for your flight on Seattle Rep’s latest comic tour de force.