Past

Like Penelope, MAIDEN VOYAGE Waits for Greatness

In the world of adapting ancient stories, inventing “the history behind the myth” is the order of the day. From Wolfgang Peterson’s film Troy to Esther Friesner’s young adult novel Nobody’s Princess, modern artists are bringing us “believable” versions of Homer’s epics, devoid of gods and monsters, and Parley Productions’ Maiden Voyage falls squarely within this trend.
True to its subtitle, “A Feminist Reimagining of The Odyssey,” Maiden Voyage weaves us a history behind the myth in which Penelope, the true author of The Odyssey, spins tales of her absent husband’s encounters with gods and monsters in order to raise a son longing for a father he has never known.