Bilingual Spanish/English


Love and Loss in Quixote Nuevo

Seattle Rep debuted its first play of the new year this weekend at Bagley Wright Theatre with an outstanding production of Quixote Nuevo. Written by playwright Octavio Solis, this play is a bold modern remix of Miguel de Cervantes’ 17th-century literary masterpiece, Don Quixote, an epic story of an old man’s quest for love and fight against reality. Solis’ contemporary adaptation fully grasps the stakes and scale of Cervantes’ original work, claiming the world as its own on the stage. With Lisa Portes’ direction, Quixote Nuevo is positively brought to life, conjuring the spirit of Cervantes’ original work, while retaining its own unique life and rhythm. Quixote Nuevo commands the stage, reminding audiences what it means to be epic.


Standing Ovation for I Am Not Your Perfect Mexican Daughter

Juliette Carrilo’s I Am Not Your Perfect Daughter will make you laugh for two hours while also reaching deep into your heartstrings with its honest representation of grief, generational trauma, social inequalities, familial expectations and the struggles of undocumented and 1st generation immigrants in the United States. Based on Erika Sánchez’s novel, Seattle Rep’s latest production – which is also the West Coast premiere of the play – centers around Júlia, a 15-year-old Mexican American grappling with the death of her older sister, her parent’s expectations, her dreams of becoming a famous writer and her own coming of age.


Blood Wedding ( Bodas de Sangre)

Lost in Translation

Frederico Garcia Lorca, one of the most important figures in the intellectual and political history of early 20th century Spain, seems to be having a revival around Seattle, since in the past few years, I have seen a three plays either by him or inspired by him. Directed by Ana Maria Campoy, this weekend at Ballard Commons, far away from the noise of airplanes, 1-Off Productions staged an outdoor production of Blood Wedding ( Bodas de Sangre) in what was called a “bilingual production”. Given that it was far away from the flight pattern in Volunteer Park and was staged in front of a lovely grove of Birch trees, it was by far the most pleasant place to stage outdoor theatre in Seattle I have yet seen.

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