Think Spring Awakening set in the digital age, with a tinge of High School Musical ensemble pop, and with the ending of a horror story.
Co-presented by Balagan Theater and Seattle Theater Group and directed by Louis Hobson, CARRIE the Musical is not the starkly eroticized thriller of its literary and cinematic namesakes, but it is tons of fun. With ensemble numbers like “The World According to Chris,” about how important it is in adolescence to hurt others before they hurt you, CARRIE makes impeccable use of teenage-angst to tell a lively—if a little hokey—story of tragic almost-happiness.
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